THE GIRL ON THE TRAIN

The Girl On The Train was so thrilling and tense and wildly unpredictable, it sucked up my entire afternoon. I simply could not put it down. Not to be missed! (Tess Gerritsen). To everyone else in this carriage I must look normal; I'm doing exactly what they do: commuting to work, making appointments, ticking things off lists. Just goes to show. Rachel takes the same commuter train every morning and every evening. Every day she passes the same Victorian terraces, stops at the same signal, and sees the same couple, breakfasting on their roof terrace. Jason and Jess seem so happy together. Then one day Rachel sees something she shouldn't have seen, and soon after, Jess disappears. Suddenly Rachel is chasing the truth and unable to trust anyone. Not even herself. Tense, taut, twisty and surprising...The Girl on the Train creeps right under your skin and stays there.

“The Girl on the Train has more fun with unreliable narration than any chiller since Gone Girl... The Girl on the Train is liable to draw a large, bedazzled readership too... The Girl on the Train is full of back-stabbing, none of it literal.”—Janet Maslin, The New York Times

“The Girl on the Train marries movie noir with novelistic trickery... hang on tight. You'll be surprised by what horrors lurk around the bend.”—USA Today